NOt many nigraordinary performer in Cockletop; and o my pillouck by me, in a manner as to ten sleep. In vain I tried to divest myself of it, by conjuring up t opposite associations. I resolved to be serious. I raised up t topics of life; private misery, public calamity. All do.
--------tic sate
Mocking our state -
ume -- all trange togetine rod, s in -- Cleopatras tear, and t of ary -- till ter, like grief in excess, relieved itself by its o instance it had driven away.
But I to escape so easily. No sooner did I fall into slumbers, t one Munden, but five aking opium -- all trange combinations, of all strange mortals ever s enance into, from to dry up tears of to forgotten Edo ed a see ter fall far s of the former.
t, one (but is!) of Liston; but Munden you can properly pin doery of looks, in unaccountable y, suddenly s out an entirely ne of features, like one, but legion. Not so muciplied like enance, it migerally makes faces: applied to any oting certain modifications of tenance. Out of some invisible used for c as easily. I s be surprised to see out tt, or lapamorphosis.
I ed actor in Sir Copon -- diffuse a gloiment like t of one man; o t of a people. I approaco t of excellence in ot in tesque of farce, Munden stands out as single and unaccompanied as range to tell, end h himself.
Can any man ; sessa quot; -- as strangely-neglected ton -- ions from to to tator in as , as if some Arabian Niged before tempted to ternatural interest over t daily-life objects? A table, or a joint stool, in ion, rises into a dignity equivalent to Cassiopeias c is invested ellatory importance. You could not speak of it ed into t. A beggar in triarcy. So to of Munden antiquates and ennobles toucs and s and ic vision. A tub of butter, contemplated by s to a Platonic idea. ands a leg of mutton in its quiddity. ands erials of life, like primeval man ars about him.